Natasha Richardson
1963–2009 · British actress
Natasha Jane Richardson was an English actress. A member of the Redgrave family, she was a daughter of actress Vanessa Redgrave and director-producer Tony Richardson and a granddaughter of Michael Redgrave and Rachel Kempson. She was married to Liam Neeson.
Natasha Richardson, in order
- 1968 The Charge of the Light Brigade: acted · directed by Tony Richardson
- 1973 High Crime: acted · directed by Enzo G. Castellari
- 1986 Gothic: acted · directed by Ken Russell
- 1987 A Month in the Country: acted · directed by Pat O'Connor · critics 83%, audiences 73% · streaming on Prime Video, Roku Channel, Kanopy
- 1988 Patty Hearst: acted · directed by Paul Schrader
- 1989 Fat Man and Little Boy: acted · directed by Roland Joffé · critics 50%, audiences 46% · streaming on Kanopy
- 1990 The Comfort of Strangers: acted · directed by Paul Schrader
- 1990 The Handmaid's Tale: acted · directed by Volker Schlöndorff
- 1991 Past Midnight: acted · directed by Jan Eliasberg · audiences 33%
- 1992 The Favour, the Watch and the Very Big Fish: acted · directed by Ben Lewin
- 1993 Zelda (TV movie): acted · directed by Pat O'Connor
- 1994 Nell: acted · directed by Michael Apted · critics 59%, audiences 64% · streaming on Prime Video
- 1994 Widows' Peak: acted · directed by John Irvin
- 1998 The Parent Trap: acted · directed by Nancy Meyers · critics 90%, audiences 71% · streaming on Disney+
- 2001 Blow Dry: acted · directed by Paddy Breathnach
- 2001 Chelsea Walls: acted · directed by Ethan Hawke · critics 27%, audiences 40%
- 2002 Maid in Manhattan: acted · directed by Wayne Wang
- 2002 Waking Up in Reno: acted · directed by Jordan Brady
- 2005 Asylum: acted · directed by David Mackenzie
- 2006 The White Countess: acted · directed by James Ivory
- 2007 Constantine's Sword: acted · directed by Oren Jacoby
- 2007 Evening: acted · directed by Lajos Koltai · critics 27%, audiences 48%
- 2008 Wild Child: acted · directed by Nick Moore
- 2010 The Wildest Dream: acted · directed by Anthony Geffen · critics 77%, audiences 70%